{"title":"Antique Buddha Statues","description":"\u003cp\u003eShop \u003cstrong\u003eantique Buddha statues for sale\u003c\/strong\u003e from Buddhist art traditions across Asia. This collection brings together individually selected sculptures in bronze, wood, stone and other traditional materials, with examples from Thailand, Burma (Myanmar), Nepal, Tibet, China, Cambodia and Laos. The emphasis is on genuine age, regional character, craftsmanship and the surface history that gives an old Buddha statue its individuality.\u003c\/p\u003e\u003cp\u003eCollectors will find everything from intimate devotional figures to substantial temple sculpture, including seated and standing Buddhas, Buddha heads and works with historic gilding, lacquer and naturally developed patina. Styles may range from Thai Ayutthaya, Lan Na and Rattanakosin traditions to Burmese Mandalay and Shan sculpture and Himalayan Buddhist bronzes.\u003c\/p\u003e\u003ch2\u003eAntique Buddhist sculpture for collectors\u003c\/h2\u003e\u003cp\u003eEvery antique Buddha is considered as an individual object rather than a mass-produced decorative figure. We look at material, casting or carving technique, iconography, wear, patina, construction and regional stylistic features when describing a piece. Explore related collections of \u003ca href=\"\/collections\/bronze-buddha-statues\"\u003ebronze Buddha statues\u003c\/a\u003e, \u003ca href=\"\/collections\/wooden-buddha-statues\"\u003ewooden Buddha statues\u003c\/a\u003e, \u003ca href=\"\/collections\/thai-buddha-statues\"\u003eThai Buddhas\u003c\/a\u003e and \u003ca href=\"\/collections\/burmese-buddha-statues\"\u003eBurmese Buddhas\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003ePieces are available to collectors internationally, with secure packing and insured worldwide shipping arranged according to size and destination.\u003c\/p\u003e","products":[{"product_id":"antique-ayutthaya-buddha-gilt-bronze-17th-18th-century","title":"Antique Ayutthaya Buddha – Gilt Bronze, 17th–Early 18th Century","description":"\u003cp\u003e\u003cstrong\u003eThailand (Siam) | Ayutthaya period | 17th–early 18th century | Bronze | H 19 × W 12 cm | 1.2 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis compact Thai Buddha is a finely balanced example of the later Ayutthaya sculptural tradition. Cast in a copper-rich bronze alloy, the figure retains traces of an older gilded surface over a brown, naturally cracked lacquer-like layer. Its proportions and facial modelling show characteristics associated with the later U-Thong C tradition as it continued into Ayutthaya-period production.\u003c\/p\u003e\u003cp\u003eThe Buddha is seated in \u003cstrong\u003evirasana\u003c\/strong\u003e and performs the \u003cstrong\u003ebhumisparsha mudra\u003c\/strong\u003e, the earth-touching gesture associated with Shakyamuni's enlightenment. The restrained modelling, compact torso and strongly defined base give the sculpture a quiet monumentality despite its relatively small size.\u003c\/p\u003e\u003ch2\u003eAyutthaya bronze Buddha\u003c\/h2\u003e\u003cp\u003eAyutthaya bronzes were produced for temples, monasteries and private devotional settings across the Siamese kingdom. This example combines a traditional cast-bronze construction with a surface that has changed gradually through handling, oxidation and loss of gilding. The remaining gold-toned areas sit within deeper recesses rather than forming a uniform modern coating.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Shakyamuni Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Thailand (Siam)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e Ayutthaya, 17th–early 18th century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Copper-rich bronze alloy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface:\u003c\/strong\u003e Traces of historic gilding over a brown lacquer-like layer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMudra:\u003c\/strong\u003e Bhumisparsha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 19 × W 12 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.2 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eConstruction and condition\u003c\/h2\u003e\u003cp\u003eThe historic casting core remains visible within the sculpture and forms part of its original manufacture. Old cracking, small losses, deposits, worn gilding and uneven patination are present throughout and are consistent with the object's long history. These features are documented in the detailed photographs and are retained rather than cosmetically concealed.\u003c\/p\u003e\u003cp\u003eA strong collector's piece for anyone focused on \u003cstrong\u003eantique Thai Buddha statues, Ayutthaya bronze sculpture\u003c\/strong\u003e or the development of U-Thong-derived forms in Siam.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361425342794,"sku":"740","price":2450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-ayutthaya-buddha-gilt-bronze-catalogue-view-01.jpg?v=1787860360"},{"product_id":"antique-burmese-jambupati-buddha-gilt-wood-glass-mosaic-1900","title":"Antique Burmese Jambupati Buddha – Gilt Wood \u0026 Glass Mosaic, ca. 1900","description":"\u003cp\u003e\u003cstrong\u003eBurma (Myanmar) | Mandalay tradition | ca. 1900 | Carved wood, lacquer, gilding and glass mosaic | H 48 × W 33 cm | 4.8 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis richly decorated Burmese Buddha represents \u003cstrong\u003eJambupati\u003c\/strong\u003e, the royal manifestation of the Buddha. Instead of a plain monastic robe, the figure appears in elaborate courtly dress, with raised ornament, a decorated headband and coloured and mirrored glass inlay.\u003c\/p\u003e\u003cp\u003eThe Buddha sits in padmasana and performs \u003cstrong\u003ebhumisparsha mudra\u003c\/strong\u003e, the earth-touching gesture associated with the moment of enlightenment. The separately inlaid eyes give the face unusual immediacy, while the worn gold surface and deep red lacquer preserve the layered character of Burmese devotional sculpture.\u003c\/p\u003e\u003ch2\u003eJambupati and Burmese royal imagery\u003c\/h2\u003e\u003cp\u003eIn the Jambupati tradition, the Buddha assumes the appearance of a universal monarch. The imagery became especially prominent in Burmese art, where royal regalia, elaborate garments and jewel-like decoration were used to express spiritual authority through the visual language of kingship.\u003c\/p\u003e\u003ch2\u003eThayo relief and glass mosaic\u003c\/h2\u003e\u003cp\u003eThe raised ornament is formed in \u003cem\u003ethayo\u003c\/em\u003e, a traditional Burmese lacquer-based relief technique applied over the carved wooden core. Small pieces of green and mirrored glass are set into the decoration to imitate precious stones. Surviving gilding, red lacquer and local losses reveal the sculpture's historic surface rather than a uniform modern finish.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Jambupati Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Burma \/ Myanmar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Mandalay tradition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Late 19th–early 20th century, ca. 1900\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Carved wood, lacquer, thayo relief, gilding and glass\/mirror mosaic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMudra:\u003c\/strong\u003e Bhumisparsha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 48 × W 33 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.8 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eAge-related wear is visible throughout, including losses to gilding and lacquer, missing or damaged pieces of glass mosaic, shrinkage cracks in the wood and old wear to the underside. The inlaid eyes remain present. These features are documented in the photographs and form part of the object's historic character.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361425408330,"sku":"738","price":995.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-burmese-jambupati-buddha-gilt-wood-front-view.jpg?v=1787860939"},{"product_id":"antique-burmese-mandalay-buddha-black-lacquer-gilding-glass-1900","title":"Antique Burmese Mandalay Buddha – Black Lacquer, Gilding \u0026 Glass, ca. 1900","description":"\u003cp\u003e\u003cstrong\u003eBurma (Myanmar) | Mandalay tradition | Late 19th–early 20th century | Wood, black lacquer, gilding and glass | H 50.5 × W 42.5 cm | 5 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis substantial Burmese seated Buddha combines a deep black lacquered surface with worn gilding and small pieces of coloured and mirrored glass. The contrast is particularly effective across the robe, hair and base, where the decoration remains visible despite extensive age-related wear.\u003c\/p\u003e\u003cp\u003eThe Buddha is seated in virasana. His right hand reaches toward the earth in \u003cstrong\u003ebhumisparsha mudra\u003c\/strong\u003e, while the left hand rests palm-up in the lap. The lowered eyes, elongated earlobes and high ushnisha give the figure the composed presence associated with late Burmese devotional sculpture.\u003c\/p\u003e\u003ch2\u003eMandalay-period decorative tradition\u003c\/h2\u003e\u003cp\u003eThe sculpture belongs to the broad decorative tradition associated with Mandalay and late Konbaung-period workshops. Raised gilded ornament and glass or mirror inlay were used to enliven wooden Buddha images intended for religious interiors. This example is catalogued conservatively as late 19th to early 20th century rather than assigned to a specific workshop.\u003c\/p\u003e\u003ch2\u003eHistoric surface\u003c\/h2\u003e\u003cp\u003eMicroscopic photographs show layers of black lacquer, red ground, worn gilding and glass inlay. The surface is deliberately left legible: areas of abrasion, cracking and loss provide useful information about how the sculpture was made, decorated and used.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Seated Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Burma \/ Myanmar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Mandalay tradition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Late 19th–early 20th century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Carved wood with black lacquer, gilding and glass\/mirror inlay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMudra:\u003c\/strong\u003e Bhumisparsha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 50.5 × W 42.5 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 5 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eHistoric shrinkage cracks, open joints, rubbed lacquer, losses to gilding and irregular or missing glass elements are present. These are consistent with an old wooden devotional sculpture and are shown clearly in the detailed condition photographs.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361425572170,"sku":"737","price":795.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-burmese-mandalay-buddha-black-lacquer-front-view.jpg?v=1787861012"},{"product_id":"antique-burmese-reclining-buddha-teak-19th-century","title":"Antique Burmese Reclining Buddha – Teak, 19th Century, 102 cm","description":"\u003cp\u003e\u003cstrong\u003eBurma (Myanmar) | 19th century, probably ca. 1850–1900 | Teak | L 102 × H 33 cm | 12.8 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis large reclining Buddha is carved from teak and preserves an unusually evocative combination of black lacquer, red polychrome and traces of older gilding. At 102 cm long, it is substantial enough to have a strong sculptural presence while remaining manageable for a private collection.\u003c\/p\u003e\u003cp\u003eThe Buddha lies on his right side with the head supported by the hand, a posture closely associated with images of the Buddha's \u003cstrong\u003eParinirvana\u003c\/strong\u003e. The calm horizontal composition contrasts with the rich surviving surface, where generations of wear have exposed different layers of the original finish.\u003c\/p\u003e\u003ch2\u003e19th-century Burmese reclining Buddha\u003c\/h2\u003e\u003cp\u003eReclining Buddha images occur throughout mainland Southeast Asia, but Burmese examples developed their own proportions, facial conventions and lacquer traditions. This sculpture is attributed broadly to Burma in the 19th century. It is deliberately not assigned to a more specific regional workshop without stronger evidence.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Reclining Buddha \/ Parinirvana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Burma \/ Myanmar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century, probably ca. 1850–1900\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Carved teak\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface:\u003c\/strong\u003e Black lacquer, red polychrome and traces of historic gilding\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e L 102 × H 33 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.8 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSurface and condition\u003c\/h2\u003e\u003cp\u003eThe sculpture shows extensive age-related wear, lacquer crackle and loss, local discoloration, rubbed polychrome, losses to gilding and wear to the underside. No glass or stone inlay is present. Detailed photographs, including close and microscopic views, document the surface rather than hiding its condition.\u003c\/p\u003e\u003cp\u003eA distinctive example for a collection of \u003cstrong\u003eantique Burmese Buddha statues\u003c\/strong\u003e, wooden Buddhist sculpture or Parinirvana imagery.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361425604938,"sku":"735","price":2950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-burmese-reclining-buddha-teak-side-view.jpg?v=1787860715"},{"product_id":"antique-thai-shakyamuni-buddha-inlaid-eyes-19th-century","title":"Antique Thai Shakyamuni Buddha – Inlaid Eyes, 19th Century","description":"\u003cp\u003e\u003cstrong\u003eSiam \/ Thailand | Rattanakosin period | 19th century | Copper alloy | H 40.5 × W 31.5 cm | 4.8 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis 19th-century Thai Shakyamuni Buddha is distinguished by its \u003cstrong\u003einlaid eyes\u003c\/strong\u003e, high flame-shaped ushnisha and broad stepped lotus base. The Buddha sits in meditation with both hands resting in the lap in \u003cstrong\u003edhyana mudra\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eThe sculpture combines Rattanakosin-period taste with references to earlier Thai forms. Its gold-toned surface has worn unevenly through handling and cleaning, while turquoise-green copper corrosion is concentrated around the hair curls and other protected areas.\u003c\/p\u003e\u003ch2\u003eInlaid eyes and meditative iconography\u003c\/h2\u003e\u003cp\u003eThe light eye material and dark pupils give the face an unusually focused expression. The long earlobes, lowered gaze and symmetrical hand position reinforce the meditative character of the image.\u003c\/p\u003e\u003ch2\u003eTechnical observations\u003c\/h2\u003e\u003cp\u003eMacrophotography, digital microscopy and 365 nm ultraviolet examination have documented traditional casting and polishing marks, copper-related corrosion, an internal mineral casting core and age-related changes around the eye inlays. These observations are useful supporting evidence for the sculpture's manufacture and surface history, but no single test is treated as proof of date on its own.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Shakyamuni Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Siam \/ Thailand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e Rattanakosin, 19th century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Copper alloy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistinctive feature:\u003c\/strong\u003e Inlaid eyes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMudra:\u003c\/strong\u003e Dhyana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 40.5 × W 31.5 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.8 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eThe historic surface shows wear to the gold-toned finish, turquoise and darker corrosion, small scratches, casting irregularities and old residues. The tip of the ushnisha has an old loss or damage. The open underside retains part of the casting core. Detailed photographs document these features closely.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361425703242,"sku":"732","price":980.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-thai-shakyamuni-buddha-inlaid-eyes-front-view.jpg?v=1787861193"},{"product_id":"antique-tibetan-shakyamuni-buddha-bronze-17th-18th-century","title":"Antique Tibetan Shakyamuni Buddha – Bronze, 17th–18th Century","description":"\u003cp\u003e\u003cstrong\u003eTibetan-Himalayan region | 17th–18th century | Copper alloy | H 56 × W 37 cm | 14.3 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis substantial Shakyamuni Buddha belongs to the Tibetan-Himalayan sculptural tradition of the 17th–18th century. At 56 cm high and 14.3 kg, it has the scale and visual authority of a serious devotional or temple sculpture rather than a small domestic bronze.\u003c\/p\u003e\u003cp\u003eThe Buddha sits on a richly modelled lotus base. The robe is finished with hand-worked floral and linear ornament, while the warm golden-brown surface shows extensive wear and darker areas of old patination. The raised right hand is preserved in a formal Buddhist gesture; because the precise mudra attribution is not completely unambiguous from the surviving form, it is deliberately not over-specified here.\u003c\/p\u003e\u003ch2\u003eHimalayan bronze workmanship\u003c\/h2\u003e\u003cp\u003eThe figure and lotus base were cast as separate components and joined as part of the original construction. This method is entirely compatible with large Himalayan metal sculpture, where separately cast sections allowed greater control over complex forms and weight.\u003c\/p\u003e\u003cp\u003eExamination under magnification and 365 nm ultraviolet light revealed old copper oxidation, mineral deposits and residues associated with the internal casting core. These observations support traditional manufacture and an aged surface, but are treated as technical evidence rather than as a stand-alone guarantee of date.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Shakyamuni Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCultural region:\u003c\/strong\u003e Tibetan-Himalayan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e 17th–18th century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Copper alloy \/ bronze-brass alloy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Traditionally cast in separate joined sections\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface:\u003c\/strong\u003e Warm aged gilt-toned surface with natural wear and patina\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 56 × W 37 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 14.3 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eThe sculpture shows age-related surface wear, rubbed high points, oxidation, deposits and variation in the historic finish. The robe and lotus base retain substantial hand-finished detail. No attempt has been made to make the surface look artificially uniform; its material history remains visible and is documented in the photographs.\u003c\/p\u003e\u003cp\u003eAn imposing example for a collection centred on \u003cstrong\u003eantique Tibetan Buddha statues, Himalayan bronze sculpture\u003c\/strong\u003e or large Shakyamuni images.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361425736010,"sku":"731","price":8900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-tibetan-shakyamuni-buddha-bronze-front-view.jpg?v=1787860476"},{"product_id":"antique-ladakh-shakyamuni-buddha-fire-gilded-bronze-18th-century","title":"Antique Ladakh Shakyamuni Buddha – Fire-Gilded Bronze, 18th Century","description":"\u003cp\u003eA large and unusually heavy \u003cstrong\u003eShakyamuni Buddha\u003c\/strong\u003e attributed to 18th-century Ladakh in the Western Himalaya. Cast in bronze and extensively gilded, the image combines a serene frontal presence with technical evidence of hand finishing, traditional casting and long ritual use.\u003c\/p\u003e\u003ch2\u003eObject details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Shakyamuni Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent attribution:\u003c\/strong\u003e Ladakh, Western Himalaya\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 18th century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e bronze with historic fire gilding\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 37.5 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 25.5 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.2 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eA Western Himalayan altar image\u003c\/h2\u003e\u003cp\u003eLadakh developed a distinctive sculptural language at the intersection of Tibetan Buddhism and wider Himalayan metalworking traditions. This figure has the scale and mass associated with an important altar image rather than a portable devotional bronze. The calm modelling is balanced by carefully chased hair, engraved robe borders and a substantial lotus support.\u003c\/p\u003e\u003ch2\u003eGilding and hand finishing\u003c\/h2\u003e\u003cp\u003eThe gilded surface is not uniform. High points around the face and other exposed areas show soft rubbing, while stronger gold survives in recesses and protected details. Parallel file and finishing marks remain visible in less exposed areas, and the engraved robe borders preserve the hand of the metalworker rather than a mechanically perfect pattern.\u003c\/p\u003e\u003cp\u003eDark residues are retained around the hair curls and deeper recesses. These deposits form part of the object's surface history and have not been removed to create an artificially even finish.\u003c\/p\u003e\u003ch2\u003eInterior construction\u003c\/h2\u003e\u003cp\u003eThe underside is open and gives unusually direct access to the casting history. Remnants of clay core material, shrinkage cracks, white mineral efflorescence and small quantities of organic material are visible inside. Together they are consistent with traditional lost-wax manufacture and a long object history.\u003c\/p\u003e\u003cp\u003eThese observations are documented as technical evidence, not used as shortcuts to age. Clay core, organic residues or mineral deposits can support a broader assessment, but none of them independently establishes an 18th-century date.\u003c\/p\u003e\u003ch2\u003eAttribution\u003c\/h2\u003e\u003cp\u003eThe present attribution to \u003cstrong\u003e18th-century Ladakh\u003c\/strong\u003e rests on the combination of iconography, proportions, lotus treatment, metalworking, gilding and comparison with Western Himalayan Buddhist sculpture. The region's artistic history involved continuous exchange with Tibet, Kashmir and Nepal, so the object is approached within that broader network rather than as an isolated local style.\u003c\/p\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eThe sculpture retains extensive historic gilding with rubbing, minor scratches, deposits and colour variation expected on an object of this age and function. The open underside and surviving interior remains are left visible as part of the construction record. No attempt has been made to disguise the distinction between original surface, wear and later deposits.\u003c\/p\u003e\u003ch2\u003eCollector note\u003c\/h2\u003e\u003cp\u003eThe combination of 37.5 cm scale, 4.2 kg weight, historic gilding and accessible construction details makes this an unusually instructive as well as visually powerful Himalayan Buddha. It is a piece that can be appreciated both as sculpture and as an object of technical study.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWorldwide insured shipping is available.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361425867082,"sku":"678","price":8500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/18th-century-ladakh-shakyamuni-buddha-study-view-01.jpg?v=1787859535"},{"product_id":"antique-tibetan-buddha-bronze-historic-gilding-19th-century","title":"Antique Tibetan Buddha – Bronze with Historic Gilding, 19th Century","description":"\u003cp\u003e\u003cstrong\u003eTibet \/ Himalayan region | 19th century | Bronze | H 20 × W 15 cm | 1.2 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis compact Tibetan-Himalayan Buddha is an instructive example of how historic bronze can look deceptively clean after generations of handling and polishing. The exposed high points are relatively bright, while protected recesses preserve darker patina, oxidation and small remnants of an older gold-toned metallic finish.\u003c\/p\u003e\u003cp\u003eThe Buddha is seated on a double lotus base in \u003cstrong\u003ebhumisparsha mudra\u003c\/strong\u003e. The right hand reaches toward the earth while the left rests in the lap, creating one of the most recognisable compositions in Buddhist sculpture.\u003c\/p\u003e\u003ch2\u003eSurface evidence under magnification\u003c\/h2\u003e\u003cp\u003eMicroscopic examination shows a complex surface rather than a single modern coating: dark brown and black patina, reddish oxidation, exposed metal, old working marks and isolated gold-coloured residues occur side by side. The gilding remnants survive most clearly in protected areas and follow the irregularities of the metal beneath.\u003c\/p\u003e\u003cp\u003eThe observed structure is compatible with an old metallic gilding process and may be consistent with traditional fire gilding. Without material analysis confirming mercury, however, the sculpture is catalogued simply as retaining \u003cstrong\u003ehistoric gilding\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTraditional casting\u003c\/h2\u003e\u003cp\u003eThe open underside reveals a rough, irregular interior consistent with traditional hollow casting. Surface finishing and hand-tool marks on the exterior contrast with the unfinished interior, supporting a conventional lost-wax production process.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Seated Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRegion:\u003c\/strong\u003e Tibet \/ Himalayas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Bronze\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface:\u003c\/strong\u003e Layered patina with remnants of historic gilding\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMudra:\u003c\/strong\u003e Bhumisparsha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 20 × W 15 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.2 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eThe sculpture has been cleaned or polished in the past, resulting in uneven survival of older surface layers. Scratches, oxidation, dark deposits, worn gilding and abrasion to raised areas remain visible. These features are retained as part of the object's material history.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361426948426,"sku":"725","price":1680.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-tibetan-buddha-bronze-19th-century-front-view.jpg?v=1787861120"},{"product_id":"antique-tibetan-vajrasattva-fire-gilded-bronze-19th-century","title":"Antique Tibetan Vajrasattva – Fire-Gilded Bronze, 19th Century","description":"\u003cp\u003eA monumental \u003cstrong\u003eVajrasattva\u003c\/strong\u003e from the Tibetan Himalayan tradition, cast in a copper-rich bronze and retaining extensive historic gilding. The sculpture combines substantial weight with unusually elaborate hand engraving, while an old Nepalese lacquer seal and cord preserve an important later chapter in its documented object history.\u003c\/p\u003e\u003ch2\u003eObject details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Vajrasattva \/ Dorje Sempa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Tibet \/ Himalaya, with strong Newar influence\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century, current attribution\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e copper-rich bronze with historic gilding\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 40.5 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 27.5 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 5.4 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenance marker:\u003c\/strong\u003e old Nepalese lacquer inspection\/export seal with original cord\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eIconography\u003c\/h2\u003e\u003cp\u003eVajrasattva is shown with his two defining ritual attributes: the \u003cstrong\u003evajra\u003c\/strong\u003e and \u003cstrong\u003eghanta\u003c\/strong\u003e. In Vajrayana practice the pair expresses the complementary principles of method and wisdom. Crown, jewellery and richly worked garments place the figure firmly within the visual language of Himalayan tantric Buddhism.\u003c\/p\u003e\u003ch2\u003eStyle and workshop tradition\u003c\/h2\u003e\u003cp\u003eThe sculpture is best described as Tibetan\/Himalayan with pronounced \u003cstrong\u003eNewar influence\u003c\/strong\u003e. The crown, jewellery, body modelling and dense engraved ornament recall the long history of Newar metalworkers producing Buddhist images for Tibetan patrons. Some decorative passages also show Sino-Tibetan vocabulary, illustrating how workshop traditions moved across the Himalayan cultural network.\u003c\/p\u003e\u003ch2\u003eGilding and surface\u003c\/h2\u003e\u003cp\u003eMicroscopic examination shows gold-coloured material surviving most strongly in protected recesses and along engraved details, while exposed high points have worn to a darker copper-rich surface. The gradual transition between these zones is consistent with a historic metallurgical gilding process and with long-term wear.\u003c\/p\u003e\u003cp\u003eThe surface observations are consistent with traditional fire gilding. No separate elemental analysis for mercury is cited here, so the technical interpretation is presented as an evidence-based assessment rather than an instrumental confirmation.\u003c\/p\u003e\u003ch2\u003eHand finishing\u003c\/h2\u003e\u003cp\u003eThe garments are covered with florals, borders and geometric motifs cut into the metal after casting. Small variations in line depth and direction are visible under magnification. Dark deposits remain in recessed engraving while raised areas are smoother from handling and cleaning, producing a layered surface rather than a newly uniform patina.\u003c\/p\u003e\u003ch2\u003eThe Nepal provenance seal\u003c\/h2\u003e\u003cp\u003eA small red lacquer or shellac seal remains attached by an old cord. Its brittle, cracked surface and attachment are consistent with historic Nepalese administrative or export sealing practices, provisionally around the mid-20th century.\u003c\/p\u003e\u003cp\u003eThe seal is important, but its meaning should be precise: it records a moment when the sculpture was in Nepal and passed through an administrative process. It \u003cstrong\u003edoes not prove that the statue was made in Nepal\u003c\/strong\u003e, and it does not by itself establish the 19th-century dating. It is best understood as a provenance marker and potential terminus ante quem for the object's later history.\u003c\/p\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eHistoric rubbing, oxidation, deposits and uneven gilding are present throughout. These variations have been retained rather than visually homogenised. The sculpture remains an exceptionally substantial example, with the combination of scale, engraving, gilding and surviving seal making it particularly compelling for a specialist Himalayan collection.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWorldwide insured shipping is available.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361427145034,"sku":"724","price":15500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-tibetan-vajrasattva-fire-gilded-bronze-19th-century.jpg?v=1787859475"},{"product_id":"antique-chinese-guanyin-shancai-longnu-carved-bone-late-qing","title":"Antique Chinese Guanyin with Shancai \u0026 Longnü – Carved Bone, Late Qing","description":"\u003cp\u003eA large late-Qing Chinese group depicting \u003cstrong\u003eGuanyin with Shancai and Longnü\u003c\/strong\u003e, assembled from numerous individually carved sections of bone. Standing 60 cm high and weighing approximately 9 kg, the sculpture combines Buddhist iconography with the virtuoso composite carving associated with sophisticated Chinese decorative workshops.\u003c\/p\u003e\u003ch2\u003eObject details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Guanyin \/ Avalokiteshvara with Shancai and Longnü\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e China\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent date:\u003c\/strong\u003e late Qing dynasty, 19th century\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e carved and assembled bone with engraved and pigmented details\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 60 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approximately 9 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eIconography\u003c\/h2\u003e\u003cp\u003eGuanyin is the Chinese form of Avalokiteshvara, the Bodhisattva of Compassion. In this composition she is accompanied by \u003cstrong\u003eShancai\u003c\/strong\u003e, the youthful pilgrim associated with the search for wisdom, and \u003cstrong\u003eLongnü\u003c\/strong\u003e, the Dragon King's daughter. The trio became an established visual grouping within Chinese Mahayana Buddhism.\u003c\/p\u003e\u003cp\u003eThe central figure is framed by lotus forms, rockwork, subsidiary figures and a large aureole, producing a complete devotional tableau rather than an isolated standing image.\u003c\/p\u003e\u003ch2\u003eComposite carving\u003c\/h2\u003e\u003cp\u003eThe scale is achieved through a complex construction of separately carved bone elements joined into a single composition. Faces, hands, garments, jewellery, lotus petals, architectural details and ornamental passages were worked individually before assembly. Fine incised lines and dark pigment accentuate the carving and create depth across the pale material.\u003c\/p\u003e\u003cp\u003eThis method is technically demanding because the maker has to coordinate numerous small components while maintaining the visual continuity of the complete sculpture.\u003c\/p\u003e\u003ch2\u003eMaterial observations\u003c\/h2\u003e\u003cp\u003eUnder magnification, exposed and worn areas show the natural fine channel structure expected in bone. Tool traces from cutting, scraping and engraving remain visible in places, while darker material and pigment survive in recessed lines and difficult-to-reach junctions.\u003c\/p\u003e\u003cp\u003eThe object is described specifically as \u003cstrong\u003ebone\u003c\/strong\u003e. We do not use ivory terminology for this sculpture.\u003c\/p\u003e\u003ch2\u003eDating and attribution\u003c\/h2\u003e\u003cp\u003eThe present attribution to the \u003cstrong\u003elate Qing dynasty, 19th century\u003c\/strong\u003e is based on iconography, composite construction, carving style and decorative treatment. A rectangular incised mark is present on the underside, but its exact reading and workshop significance have not been established with sufficient confidence. It is therefore recorded as a feature of the object rather than used to assign a named artist or workshop.\u003c\/p\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eNatural variation in colour, local wear, old deposits and minor irregularities are present across the many assembled elements. These should be expected in a complex composite sculpture of this scale. The piece has been examined with macro photography and magnification to distinguish material structure, carving traces and accumulated surface matter.\u003c\/p\u003e\u003ch2\u003eCollector note\u003c\/h2\u003e\u003cp\u003eThe combination of monumental size, substantial weight, complete Guanyin-Shancai-Longnü iconography and highly labour-intensive composite carving makes this a distinctive example of late-Qing Buddhist sculpture. It sits naturally at the intersection of religious art and high-level Chinese carving technique.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWorldwide insured shipping is available.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361428062538,"sku":"217","price":3795.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-chinese-guanyin-late-qing-carved-bone.jpg?v=1787859702"},{"product_id":"antique-burmese-mandalay-buddha-gilt-teak-thayo-glass-mosaic","title":"Antique Burmese Mandalay Buddha – Gilt Teak, Thayo \u0026 Glass Mosaic, ca. 1880–1920","description":"\u003cp\u003eA monumental Burmese \u003cstrong\u003eMandalay Buddha\u003c\/strong\u003e carved from teak and built up with thit-si lacquer, thayo relief, gold leaf and extensive mirror and glass mosaic. At 82 cm wide and 33.8 kg, it is an architectural presence as much as a devotional sculpture.\u003c\/p\u003e\u003ch2\u003eObject details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Shakyamuni Buddha in Bhumisparsha mudra\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Mandalay tradition, Myanmar (Burma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e ca. 1880–1920\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e teak, thit-si lacquer, thayo relief, gold leaf, mirror and coloured glass inlay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 82 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 72 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 33.8 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eMandalay workshop character\u003c\/h2\u003e\u003cp\u003eThe image belongs to the richly decorative late Mandalay tradition, in which carving, lacquer work, relief ornament and reflective inlay are treated as a single visual system. The Buddha sits in \u003cstrong\u003eBhumisparsha mudra\u003c\/strong\u003e, the earth-touching gesture associated with the moment of enlightenment.\u003c\/p\u003e\u003cp\u003eRather than relying on painted decoration alone, the surface is physically constructed in layers. Raised thayo patterns define borders, garments and architectural elements; gold leaf unifies the relief; individually placed mirror and glass fragments then catch changing light across the figure.\u003c\/p\u003e\u003ch2\u003eThayo and glass mosaic\u003c\/h2\u003e\u003cp\u003eThayo is one of the distinctive decorative techniques of Burmese lacquer craftsmanship. A relief medium is formed and applied over the prepared surface before gilding and inlay. Here it provides the framework for a dense mosaic of reflective elements. The result would have been particularly effective in a temple or shrine interior illuminated by moving natural light, candles or oil lamps.\u003c\/p\u003e\u003ch2\u003eSurface history\u003c\/h2\u003e\u003cp\u003eClose examination shows old craquelure in the lacquer, rubbing to the gilding, local losses and variation between individual glass and mirror elements. Those changes are not treated as defects to be concealed; they are part of the visual record of an object that has survived for more than a century.\u003c\/p\u003e\u003cp\u003eThe teak construction remains legible beneath the elaborate surface, and the tension between carved structure and applied decoration is one of the reasons Mandalay sculpture is so immediately recognisable.\u003c\/p\u003e\u003ch2\u003eDating and attribution\u003c\/h2\u003e\u003cp\u003eThe current dating of \u003cstrong\u003eca. 1880–1920\u003c\/strong\u003e places the work around the late Konbaung and early colonial period, when Mandalay remained a major centre for religious carving and lacquer decoration. The attribution is based on carving style, facial type, decorative vocabulary, materials and technique rather than on an unverified workshop name.\u003c\/p\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eAge-related wear, craquelure, small losses to gilding and inlay, and unevenness in the decorative surface are present. The sculpture retains a strong overall visual unity and extensive historic decoration. Its large scale requires specialist packing and transport.\u003c\/p\u003e\u003ch2\u003eCollector note\u003c\/h2\u003e\u003cp\u003eThis is a particularly strong example for a collection focused on Burmese Buddhist art because the principal Mandalay techniques remain visible together: carved teak, lacquer, thayo relief, gilding and glass mosaic. The object is both highly decorative and technically informative.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWorldwide insured shipping is available; freight for a work of this scale is quoted individually.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361436582218,"sku":"718","price":8790.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-burmese-mandalay-buddha-gilt-teak-glass-mosaic-front.jpg?v=1787859601"},{"product_id":"monumental-burmese-standing-buddha-gilt-teak-1880-1920","title":"Monumental Burmese Standing Buddha – Gilt Teak, ca. 1880–1920","description":"\u003cp\u003e\u003cstrong\u003eBurma (Myanmar) | ca. 1880–1920 | Carved teak | H 166 × W 63 cm | 27 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis monumental standing Buddha is carved from solid teak and belongs to the late 19th- to early 20th-century Burmese sculptural tradition. At 166 cm high, it has the scale of a temple or monastic image and retains a striking combination of carved detail, dark historic lacquer and surviving traces of gold leaf.\u003c\/p\u003e\u003cp\u003eThe elongated body is wrapped in a richly carved robe whose folds and ornamental passages remain clearly legible despite extensive age-related wear. Areas of red ground are visible beneath the darker lacquer and surviving gilding, revealing the layered finishing process used on the sculpture.\u003c\/p\u003e\u003ch2\u003eBurmese temple sculpture\u003c\/h2\u003e\u003cp\u003eLarge wooden Buddha images were an important part of Burmese religious interiors. Teak was particularly valued for its durability and carving qualities. This figure shows affinities with the broader Mandalay-period sculptural tradition, but it is presented here conservatively without assigning it to a specific workshop.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Standing Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Burma \/ Myanmar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e ca. 1880–1920\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Solid carved teak\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface:\u003c\/strong\u003e Historic dark lacquer, red ground and traces of gold leaf\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Multi-part wooden construction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 166 × W 63 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 27 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCondition and age\u003c\/h2\u003e\u003cp\u003eThe teak has naturally moved and dried over time, producing shrinkage cracks and separations typical of large old wooden sculpture. There is extensive wear to the lacquer and gilding, along with losses, abrasions and darkened areas. These marks are visually important to the piece and have been retained rather than concealed by heavy restoration.\u003c\/p\u003e\u003cp\u003eIts exceptional height makes this a particularly strong choice for collectors seeking a \u003cstrong\u003elarge antique Burmese Buddha\u003c\/strong\u003e with genuine architectural presence.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361436647754,"sku":"717","price":3875.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/monumental-burmese-standing-buddha-gilt-teak-front-view.jpg?v=1787860633"},{"product_id":"antique-japanese-seated-buddha-gilt-bronze-ca-1900","title":"Antique Japanese Seated Buddha – Gilt Bronze, ca. 1900","description":"\u003cp\u003e\u003cstrong\u003eJapan | ca. 1900, late Meiji period | Bronze with surviving gilding | H 56 × W 51 cm | 19.4 kg\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis large Japanese seated Buddha dates to around 1900 and combines substantial cast-bronze construction with a calm, restrained sculptural presence. At 56 cm high and 19.4 kg, it was made on a scale suitable for a serious devotional or temple setting.\u003c\/p\u003e\u003cp\u003eThe hands rest together in the lap in \u003cstrong\u003edhyana mudra\u003c\/strong\u003e, the gesture of meditation. Because this mudra appears with more than one Buddha in Japanese iconography, the sculpture is deliberately catalogued here as a seated Buddha rather than assigned to Shakyamuni or Amida without stronger identifying evidence.\u003c\/p\u003e\u003ch2\u003eHistoric gilded surface\u003c\/h2\u003e\u003cp\u003eSmall areas of gold-toned surface remain in protected recesses and among the deeper modelling. Under magnification these residues appear integrated with the aged bronze surface rather than sitting as a uniform recent coating. The surviving evidence indicates that the sculpture historically carried a gilded finish, much of which has been lost through time and handling.\u003c\/p\u003e\u003ch2\u003eJapanese bronze construction\u003c\/h2\u003e\u003cp\u003eThe interior retains an old mineral casting core and internal structural elements associated with hollow bronze manufacture. The exterior shows the much more refined chasing and finishing expected of a completed devotional sculpture. Microscopic documentation records gilding residues, oxidation and tool-finished surfaces.\u003c\/p\u003e\u003ch2\u003eKey details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Seated Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e ca. 1900, late Meiji period\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Bronze\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface:\u003c\/strong\u003e Patina with surviving historic gilding\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMudra:\u003c\/strong\u003e Dhyana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 56 × W 51 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 19.4 kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eThe bronze shows extensive loss of the gilded surface, natural patination, abrasion and age-related wear. These changes are integral to the sculpture's appearance and have not been cosmetically masked. The photographs include close and microscopic views of the surviving surface.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361436811594,"sku":"716","price":5785.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-japanese-seated-buddha-gilt-bronze-front-view.jpg?v=1787861305"},{"product_id":"silvered-medicine-buddha-newar-bhaisajyaguru-1450-1600","title":"Monumental Silvered Medicine Buddha – Newar Tradition, ca. 1450–1600","description":"\u003cp\u003eA substantial Himalayan image of \u003cstrong\u003eBhaisajyaguru, the Medicine Buddha\u003c\/strong\u003e, notable for its unusually heavy construction, silvered surface and extensive hand finishing. At 40 cm high and approximately 5.4 kg, the sculpture has the physical presence of a major altar bronze rather than a small devotional figure.\u003c\/p\u003e\u003ch2\u003eObject details\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Bhaisajyaguru \/ Medicine Buddha\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent attribution:\u003c\/strong\u003e Newar workshop tradition, probably Kathmandu Valley, likely made for a Tibetan Buddhist context\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWorking date:\u003c\/strong\u003e ca. 1450–1600\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e heavy copper-alloy bronze with silvered surface and metal inlays\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e 40 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 25 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 5,425 g\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWhy this piece matters\u003c\/h2\u003e\u003cp\u003eThe visual character is defined by the contrast between the pale silvered surface and warmer copper-rich metal exposed through wear. Silver-toned Himalayan Buddhist sculpture is considerably less common than conventional gilt bronze, and here the treatment is integrated with a sophisticated programme of inlay and chased detail.\u003c\/p\u003e\u003cp\u003eThe hands, feet and face contain contrasting metal details, including the urna and eye treatment. The long ceremonial robe is extensively incised rather than relying on a uniform decorative finish. These details create a sculpture that rewards close examination as much as frontal display.\u003c\/p\u003e\u003ch2\u003eAttribution and style\u003c\/h2\u003e\u003cp\u003eThe current working attribution places the image within the \u003cstrong\u003eNewar metalworking tradition\u003c\/strong\u003e of the Kathmandu Valley, in a form intended for a Tibetan or wider Himalayan Buddhist patron. The facial modelling, body proportions, robe treatment and technical finish are considered together rather than using any single feature as a dating device.\u003c\/p\u003e\u003cp\u003eAt present we use a cautious date range of \u003cstrong\u003eca. 1450–1600\u003c\/strong\u003e. This is an attribution based on stylistic and technical evidence and should not be read as a laboratory-derived calendar date. Further comparative or material analysis may refine that position.\u003c\/p\u003e\u003ch2\u003eSurface and construction\u003c\/h2\u003e\u003cp\u003eWear to exposed areas reveals red to copper-coloured alloy beneath the pale surface. Under magnification, the sculpture shows hand chasing, filing and irregular finishing around the base rim, together with a comparatively rough interior casting skin. These are useful construction observations because they preserve stages of manufacture that are less visible on the finished exterior.\u003c\/p\u003e\u003cp\u003eThe interior also retains textile fibres, cord, paper-like and other organic residues associated with the object's long ritual history. Such material is documented as found and is not treated by itself as proof of a specific date.\u003c\/p\u003e\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003eThe surface shows age-related rubbing, local losses to the silvered finish, dark deposits and small irregularities consistent with long handling and use. A copper-toned reinforcement or plug is visible externally. The sculpture has not been cosmetically restored to a uniform appearance; the layered surface remains part of its historical character.\u003c\/p\u003e\u003ch2\u003eResearch note\u003c\/h2\u003e\u003cp\u003eOur assessment separates observation from attribution. Construction, surface wear, inlay, interior remains and stylistic comparison all contribute to the present interpretation, but none is presented as a stand-alone authentication test. This approach preserves both the significance of the sculpture and the uncertainty that belongs to responsible object research.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWorldwide insured shipping is available.\u003c\/strong\u003e Packing and transport are arranged according to the weight and value of the object.\u003c\/p\u003e","brand":"Buddha-Statues.com","offers":[{"title":"Default Title","offer_id":63361438024010,"sku":"708","price":190000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1073\/1693\/7034\/files\/antique-silvered-medicine-buddha-newar-front-view.jpg?v=1787859417"}],"url":"https:\/\/buddha-statues.com\/collections\/antique-buddha-statues.oembed","provider":"buddha-statues.com","version":"1.0","type":"link"}