• Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – front view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – three-quarter front view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – left-side view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – left three-quarter rear view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – rear view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – right three-quarter rear view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – right-side view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – opposite three-quarter front view
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – close view of the upper section
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – close view of the central details
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – close view of the lower section
  • Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm – underside and base view
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Buddha Statue

Antique Himalayan Buddha with Silver-Inlaid Eyes – Bronze, 49.5 cm

€29.500,00 EUR
€29.500,00 EUR
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Available — one example only · Offers considered

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Object Details

Catalogue Note

Dimensions: H 49.5 × W 39.5 cm
Weight: 10.6 kg
Material: Bronze with silver-inlaid eyes
Origin: Western Himalaya / Tibet–Mustang sphere
Dating: Attributed to the 16th–17th century
Mudra: Bhumisparsha Mudra

A substantial Himalayan Buddha seated in bhumisparsha mudra, distinguished by silver-inlaid eyes and an elaborate throne populated with lions, elephants and an atlas-like supporting figure. The back is fully worked, indicating that the sculpture was intended to be viewed as a complete ritual object rather than only from the front.

The bronze retains a deep, layered patina, old casting-core residues and extensive surface wear. The early dating and regional attribution are based on stylistic and material comparison and are presented as an attribution, not as an inscription-dated certainty.

Condition

Antique condition with patina, oxidation and wear consistent with long use and age. No attempt has been made to disguise the historical surface.